Program

Sensation – Perception – Mediation

University of Szeged (Hungary), June 7-9, 2012

 

Thursday, June 7

10.00- Registration

11.30-12.00 Welcoming Remarks

12.00-13.10 KEYNOTE LECTURE

Chair: Izabella Füzi

  • Mary Ann Doane (University of California, Berkeley, USA):
    Cinematic Scale, Perspective and the Modern Sublime

13.10-14.40 Lunch Break

14.40-15.50 Session 1: ON DISTANCE AND SPATIAL PERCEPTION

Chair: Mary Ann Doane

  • György Fogarasi (University of Szeged, Hungary):
    Teletrauma: The Notion of Distance in Burke’s Philosophical Enquiry
  • Todd Berliner (University of North Carolina Wilmington, USA):
    On the Perception of Continuity in Mainstream Cinema

15.50-16.20 Coffee Break

16.20-18.40 Session 2: EARLY FILM THEORY: PRESENCE, MOVEMENT, EXPERIENCE

Chair: Zsolt Győri

  • Izabella Füzi (University of Szeged, Hungary):
    Movement, Temporality, and Medium Specificity in Early Hungarian Film Theory
  • Eszter Polonyi (Columbia University, New York, USA):
    Invisible Man: Microcinematography in Early 20c Europe
  • Erica Carter (King’s College, London, England):
    The Visible Woman in Béla Balázs
  • Beja Margitházi (Eötvös Loránd University, Budapest):
    The Role of the Body and the Senses in the Different “First Contact” Narratives

19.00- Reception

 

Friday, June 8

9.00 -10.10 KEYNOTE LECTURE

Chair: Todd Berliner

  • Jens Schröter (University of Siegen, Germany):
    Optical / Visual / Non-Optical Media – the Complexity of Technical Images

10.10-10.40 Coffee Break

10.40-12.25 Session 3: NEW MEDIA, DIGITAL AESTHETICS, INTERACTIVITY

Chair: Jens Schröter

  • Zoltán Dragon (University of Szeged, Hungary):
    The Augmented Subject: Technological Interfaces of Self, Skin and Geography
  • László Tarnay (University of Pécs, Hungary):
    Simulating Perception in New Media
  • Christoph Ernst (Friedrich-Alexander University Erlangen–Nuremberg, Germany):
    The Mediation of Perception in Mythological Thinking

12.25-14.00 Lunch Break

14.00-16.20 Session 4: SENSING AND READING IMAGES

Chair: Attila Kiss

  • Ágnes Pethő (Sapientia Hungarian University of Transylvania, Romania):
    Cinema and the Phenomenology of “Becoming” Intermedial
  • Zsolt Győri (University of Debrecen, Hungary):
    The Sensation of Being Alive
  • György Endre Szőnyi (University of Szeged, Hungary):
    Seeing: Natural or Conventional? After the Iconicity Debates
  • Annamária Hódosy (University of Szeged, Hungary):
    Misrecognition: Minority Report on the Postmodern Condition

16.20-16.50 Coffee Break

16.50-18.35 Session 5: CORPOREALITY/THEATRICALITY

Chair: Gábor Tamás Molnár

  • Attila Kiss (University of Szeged, Hungary):
    Theatricality as the Mediality of the Subject
  • Ágnes Matuska (University of Szeged, Hungary):
    “Shelter in the Presence of Onlooking Strangers”: Perception and the Theatrum Mundi Metaphor
  • Ákos Seress (University of Kaposvár, Hungary):
    The Cognitive Turn in Theatre Studies

19.00- EVENING PROGRAM

 

Saturday, June 9

9.00-10.10 KEYNOTE LECTURE

Chair: György Endre Szőnyi

  • Joachim Paech (University of Constance, Germany):
    Film Was Never the Same

10.10-10.40 Coffee Break

10.40-13.00 Session 6: CONTEMPORARY FICTION AND MEDIATED PERCEPTION

Chair: György Fogarasi

  • Ronan McKinney (University of Sussex, England):
    Real Time: DeLillo, Gordon, Hitchcock
  • László Sári B. (University of Pécs):
    Transgression and Intermediality in Contemporary American Minimalist Fiction
  • Katalin Sándor (Babeş–Bolyai University, Romania):
    (Re)collecting Sensations in Dubravka Ugrešić’s The Museum of Unconditional Surrender
  • Gábor Tamás Molnár (Eötvös Loránd University, Budapest):
    Figuration and the Experience of Fiction

13.00-13.30 Closing Remarks